The Programme focuses less on the ‘genius concept’ of the exhibition planner as individual author – a highly controversial topic since the 1990s – than on cooperative, interdisciplinary working methods, as employed, for example, in film productions or non-government organizations. Exhibition-making / curating means the creation of innovative structures for the presentation of cultural artefacts through interdisciplinary collaboration. In this field, art, digital media, design, and architecture intermesh in new ways.
The manner of working employed by curators, artists, architects, designers, museum educationalists and writers has become increasingly unified, bringing about new forms of mediation, lounges, archives, reading rooms and new virtual forums – and with them new means of access and forms of interpretation.
At the same time, we are witnessing a shift in the organization of work processes throughout society. Individual areas of action are merging on new meta-levels, namely those of networks and know-how transfer. The Postgraduate Programme in Curating responds to these changes in the processes of the production of cultural meaning.
The course creates a model situation in which students can gain practical experience of curating and learn to think critically about the issues involved. The modular structure ensures the Program’s contemporary and innovative standards.